Since the characters played so many roles, they had to be able to switch between them effectively in such a way that the audience would not be confused as to who they were playing. In some cases, one of them would casually rest an elbow on the empty air, effectively representing the idea that they were leaning against a non-existent table. The lack of props did not prevent them from pretending that there were props.
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Despite this, however, the actors used their space to its full potential. The set was a plain black stage and remained the same throughout, with only two bar stools for aid. What I admired most was the fact that they were completely independent of sets and props. What all the characters shared was the feeling of failure, since they felt that the only way they could be successful was to ‘enjoy’ the nightlife.Īll the characters were desperate people who went out at night looking for love, mistakenly lost under the illusion that sex was love. It was a message showing how hopeless and bleak people’s lives could become. Through all the fast-paced action, however, the play held a deep underlying message that was not lost out in all the humour. The girls ranged from the exotic ‘Sexy Suzy’ to the more mundane headache-ridden Elaine. It was interesting to see their varied range of personality. The stories of eight people, enjoying a night out, were also depicted- four men and four women. The other, younger bouncers also tease him constantly about his body image. He is essentially a lonely man, but tries to hide it under his macho, tough character. Eric has quite a tragic past, with a wife who left him to become a sleazy bar girl. Lucky Eric had many monologues throughout the play, and through them he related instances that really convinced us of his character- instances like how angry he would get when he would see young, drunk schoolgirls taken advantage of by the vulgar men who frequented the nightclubs. As the plot unfolded we discovered that he tended to be as compassionate as the other males described in the story were shameful and disreputable. He was older and generally more solemn than his three colleagues.
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Of these four, Lucky Eric could perhaps be called the protagonist.
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The story centered mainly on the lives of four nightclub bouncers: Les (Matthew Duquenoy), Judd (Jonathan Floyd), Ralph (Simon Watts), and Lucky Eric (John Carter). They sternly told some people off for being so informal as to appear in sneakers… but when the lights dimmed, we were in for a surprise: the bouncers climbed onto stage as the actors themselves! I thought that this was a nice touch to not only warm up the actors so that they fully immersed themselves in the character, but also an excellent way to set the scene and get the audience more involved in the play by giving them a fully rounded theatre experience using invisible theatre techniques as well. The racy 90s dance music that blared from the speakers gave the audience a taster of what they would expect.įour solemn-looking men greeted us at the door, their smart black tuxedos making it clear that they were bouncers. The hall was small and compact with a simple stage and rows of seats that were placed one behind another rather than in levels.